The appeal of working with iron lies in the traditional role of blacksmiths in the community and the permanence of their work. Historically, blacksmiths contributed to the well-being of their neighbors by creating the tools that sustained the community. Their implements and art served – and gave pleasure to – many generations. In the same sense, my work allows me to share with a broader community of empathetic viewers, for which I am thankful. I hope that my art contributes to their well-being.
My growth as an artist requires looking along the timeline of my art. Through my travels, I have drawn from the sites of ancient metalworking, and the many European cities where the art form reached its zenith. My interaction with blacksmiths in this country and abroad shows me not only where the craft is today, but also where it will be tomorrow.
Nature is the greatest catalyst for my work, and as I live in a rural setting, the natural world is intertwined with my existence. I am drawn to explore my setting through hiking, gathering, and photographing in the hills and hollows near my home, and am constantly searching for new shapes and forms to integrate into my work.
I hope to convey the essence of how I live and create, and to allow the viewer to experience the bonding of nature and art. In all of my creations, functional and sculptural, my goal is to fashion work that brings with it a moment of reflection and tranquility. Perhaps living close to the source as I do helps, but I, the artist, am merely an interpreter. Ultimately, it is the art-form, the age-old craft of blacksmithing, that works the magic.
~ Phillip Bowling